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  • Review: Hot Docs finds happiness in less than 60 minutes (Includes first-hand account)

    Happiness comes in many shapes and sizes, as do documentaries. Although the average movie is between 90 and 120 minutes long, a film is considered feature-length at more than 40 minutes. While there aren’t many fictional narratives that hover around this runtime, documentary filmmakers are seemingly more comfortable not padding a picture to reach an unnecessary but more widely accepted duration. The Hot Docs Canadian International Documentary Festival‘s “The Pursuit of Happiness” programme includes two of these shorter format movies: Dugma: The Button and Up or Out.

  • Review: ‘The House with a Clock’ will start new generation of horror fans (Includes first-hand account)

    Some of the key elements of young adult fiction is the adolescent protagonist makes mistakes that can be attributed to their immaturity, while also finding the strength to triumph over whatever villain or personal obstacle is at the tale’s centre. This formula is so generic, it allows for any number of narratives in any number of genres, meaning it never gets old because you never have to tell, read or watch the exact same story twice. Thus, even though The House with a Clock in its Walls features some aspects seen in other tales, it is its own picture.

  • Review: ‘The Last Witch Hunter’ is a compilation of oversights (Includes first-hand account)

    It’s impossible to know what really lurks in the shadows, concealed in the darkness. It’s difficult to know the true nature of anything without being permitted behind the curtain, where there are no masks or secrets. Countless stories are built around what goes bump in the night; that which chooses to remain unseen to the untrained eye. Clandestine meeting places, councils and laws rule their existence, ensuring the general public’s continued ignorance. The Last Witch Hunter is an eternal enforcer who makes sure no harm comes to the unenlightened.

  • Review: ‘Captain America: Civil War’ delivers on the big things (Includes first-hand account)

    Even though the team found a way to put their differences aside, cracks in The Avengers‘ armour began to show in the last ensemble film. Superheroes no longer exist in a world in which there are no consequences for their actions — Batman v Superman recently dealt with similar themes. But who gets to decide when and where they’re deployed? And if they disagree, whose decision has greater authority? There’s a fine line between regulation and control; and while one may appear essential to co-existence, the other is a significant and probable risk. Captain America: Civil War addresses these questions, dividing The Avengers into opposing factions.

  • Review: ‘The Jesus Rolls’ barrels down the fast and loose lane (Includes first-hand account)

    As supplementary characters and supporting artists fill the screen, it’s uncommon for them to become the centre of attention. After all, their role is to help the protagonist(s) propel the story forward, not lead the way. But as actors prepare for these parts, no matter how big or small, it’s possible they create an extensive back story and character arc. Consequently, they may develop an attachment to this personality they nurtured even if their overall contribution to the film is minimal. Twenty-two years ago, John Turturro played an unhinged bowler with a foul-mouth and perfect form. He’s now returned to that character, writing and directing The Jesus Rolls.