Spider-Man: Brand New Day review: Self-denial reshapes web-slinger
‘Spider-Man: Brand New Day’ is darker than fans are used to, but big feelings inspire maturity and self-reflection.
Smart reviews for the visually obsessed. On Screen features film reviews and festival coverage, spotlighting cinematic craft, storytelling and standout performances.
‘Spider-Man: Brand New Day’ is darker than fans are used to, but big feelings inspire maturity and self-reflection.
‘The Outer Threat’ explores what happens to a family that becomes unexpectedly responsible for humanity after discovering alien life.
‘Steal Away’ shows the complicated connection between a girl and the latest refugee her family takes in before exposing the truth about their charity.
Christopher Nolan’s ‘The Odyssey’ updates the ancient text to deliver a contemporary message nestled in action.
‘Gail Daughtry and the Celebrity Sex Pass’ is a hilarious comedy that follows a small-town hairdresser’s quest to bed her Hollywood crush.
‘Moana’ is almost a shot-for-shot, live-action adaptation of the animated film, which means if you like the original, you’ll like this one.
‘Evil Dead Burn’ is the newest entry in the franchise, regrettably focusing on brutality and a weapon that comes up lame.
‘The Invite’ exposes truths and vulnerabilities over the course of a dinner that never actually makes it to the table.
‘Minions & Monsters’ finds the yellow fellows on two amusing quests, but doesn’t find the time to fully explore either.
‘Supergirl’ is not the ideal hero, but she connects with audiences by feeling more human than her Earth‑raised cousin.
‘Leviticus’ turns love into a weapon by forcing gay teenagers to evade a killer that wears the face of their crush.
‘Passenger’ creates new fears on the open road as a couple is tormented by a malevolent highway demon that preys on naïve drivers.