Legendary screen villain & horror icon Christopher Lee dies at 93

Sir Christopher Lee never truly embraced his title as a “horror legend,” but it’s probably safe to transpose that to “screen legend” — a label to which no one could object. The prolific actor’s IMDB page lists 281 acting credits, including a film completed last year and another set for release in 2016. It’s for this reason that in spite of his advanced age, many people may view the 93-year-old’s death over the weekend as a surprise. Lee passed away after being admitted to hospital with respiratory difficulties and heart failure.

Lee was in his early 20’s when he made his feature film debut in Terence Young’s Gothic romance Corridor of Mirrors (1947). The next decade would be filled with nearly 50 TV and movie roles before he would appear in his first picture for Hammer Films in 1957, The Curse of Frankenstein, in which he portrayed the monster. He wouldn’t don the iconic fangs until the following year when he’d take on the role of Count Dracula in Horror of Dracula. Lee went on to portray the legendary vampire eight more times, all but two of which were for Hammer productions. He also played the title role in 1959’s The Mummy and 1966’s Rasputin, the Mad Monk for the horror company, helping Hammer revive the genre and forever cementing a connection to it and the studio. Lee’s contribution to horror is immeasurable, entertaining/scaring generations of audiences and influencing others, including Johnny Depp.

Though Lee is arguably the second best Dracula of all time (next to Bela Lugosi), he portrayed several other memorable personalities throughout his lengthy career. His above-average stature (he was 6’5”) and strong, deep voice lent itself to playing villainous characters, such as supernatural monsters, crazed kings and slave traders. Non-Hammer horror appearances included the Fu Manchu series and The Wicker Man, which was one of the actor’s favourites. Yet, he also had the opportunity to play the hero, starring as Sherlock Holmes in three instances.

James Bond creator Ian Fleming is Lee’s cousin and he insisted the actor portray a Bond villain. In 1974, Lee played opposite Roger Moore as the assassin Francisco Scaramanga in The Man with the Golden Gun; a decidedly sexier bad guy than was typical, perhaps serving as a dark reflection of the secret agent. Lee would work steadily for the next 25 years on stage and screen, but without the same recognition he’d achieved earlier in his profession.

However in an amazing and inspiring turn of events, his career would be revitalized in 2001 when Peter Jackson cast the 70-something actor in the Lord of the Rings trilogy as the turncoat wizard Saruman — a role he unquestionably owned through all three films and then resumed for The Hobbit trilogy. (Fun fact: he was the only member of the LOTR cast to have actually met the fantasy series creator, J.R.R. Tolkien). Lee’s comeback was doubled by George Lucas, who selected the actor to play Count Dooku (the name undoubtedly a nod to the actor’s portrayal of another famous count) in the Star Wars prequel trilogy around the same time.

In addition to an astounding film career, Lee had a lesser known passion for heavy metal. In 2010, he recorded a symphonic heavy metal concept album based on the life of Charlemagne, which he followed up with a sequel in 2013 with Tony Iommi of Black Sabbath on guitar. In 2012, he released his first holiday-themed metal album, “A Heavy Metal Christmas.” A year later his single “Jingle Hell” reached No. 18 on Billboard Charts, breaking Tony Bennet’s record by becoming the oldest performer to have made the chart at 91. Less surprisingly, he’s also the oldest heavy metal artist and is a recipient of the Metal Hammer Golden God Award.

During World War II, Lee served in the Royal Air Force and Special Forces. There were rumours he was a spy, but he honoured his oath of secrecy and never discussed it. He published an autobiography in 1977, titled Tall, Dark and Gruesome, indicating he eventually became resigned to his horror legend status. He was also an expert fencer and performed many of his own stunts, serving as an honorary member of three stuntman unions. He was knighted by Prince Charles in 2009 and received a lifetime achievement award from BAFTA in 2011.

“As Boris Karloff told me, you have to make your mark in something other actors cannot, or will not, do. And if it’s a success, you’ll not be forgotten.”

Similar Posts

  • Edgar Wright’s ‘Baby Driver’ is on the road to success (Includes first-hand account)

    It’s common for there to be a few years between writer/director Edgar Wright‘s projects, but it’s always worth the wait. It’s been four years since his sci-fi comedy The World’s End came out, so schedule dictates he was due for another big screen appearance. Wright’s latest picture, Baby Driver, had its premiere at SXSW last night. But for all those who couldn’t be there, they’ve released the official and international trailers to build anticipation for the summer 2017 release.

  • New characters highlighted in ‘Black Panther’ teaser trailer (Includes first-hand account)

    While there’s always been movies, TV shows and animation to bring popular comic book heroes like Superman, Batman and The X-Men to the screen, there’s also been a reluctance to give the same attention to lesser known properties. However with the success of the previously unfamiliar Guardians of the Galaxy franchise, studios have been more inclined to take a chance on some other great stories. Next up is Marvel’s Black Panther, whose hero was first introduced in Captain America: Civil War.

  • ‘The Breadwinner’ trailer paints an empowering hand-drawn story (Includes first-hand account)

    While most people consider animated films to be happy-go-lucky pictures about cute creatures on relatively epic adventures, looking more closely at many of these movies reveals they often also address some serious issues. If one looks even further beyond the mainstream releases from Disney, Pixar and Illumination, they’ll find a number of beautifully animated films that address some adult subjects; and there isn’t necessarily a moral to the story. The medium also lends itself to making certain stories more accessible to wider audiences. The Breadwinner appears to be an example of all these things.

  • Review: ‘Rogue One’ adds to the franchise as a standalone powerhouse (Includes first-hand account)

    Disney’s acquirement of Lucasfilm has put the studio on track for at least one film per year for the foreseeable future. They then made a promising statement with the acclaimed release of Star Wars Episode VII: The Force Awakens, which met and in some ways even exceeded fans’ expectations. The film’s multi-faceted success created an aura of hope for future installments and a lot of curiosity around the previously announced standalone movies. The second picture to hit theatres from the new era is Rogue One: A Star Wars Story, which exists in the same universe but isn’t beholden to all that came before it.