A scene from 'Barb and Star Go to Vista Del Mar'

Review: Women carve their own path in this week’s releases (Includes first-hand account)

This week’s releases include a vividly fantastic getaway for two humdrum, middle-aged women; a brutal depiction of the witch trials that doesn’t shy away from any of its hypocrisy; and a richly animated tale about a girl’s search for home.

Barb and Star Go to Vista Del Mar (Blu-ray, DVD & Digital copy)

Lifelong friends Barb (Annie Mumolo) and Star (Kristen Wiig) embark on the adventure of a lifetime when they decide to leave their small midwestern town for the first time…ever. Romance, friendship, and a villain’s evil plot — hold onto your culottes!

Writers Wiig and Mumolo’s previous outing was 10 years ago when they brought the brash and hilarious Bridesmaids to the screen. Now, the duo return for an over-the-top, off-the-sales rack romp into the lives of two inseparable women coming-of-middle-age. When a wrench is thrown into their mundane lives, the best option seems to be to do different on their own terms. Vista Del Mar is a fantastical, technicolor paradise with a musical welcome, countless recreational activities and attractive young men. Barb and Star need different things from their vacation, though it turns out they could both use a little space. In addition to Mumolo’s and Wiig’s completely immersive performances, the ensemble mix of key players and cameos truly fill out the rest of the show, including Jamie Dornan, Damon Wayans Jr., Andy Garcia and Reba McEntire.

Special features include: commentary by director Josh Greenbaum, writer-actor Annie Mumolo and writer-actor Kristen Wiig; deleted scenes; “Barb & Star: Making Life a Little Brighter”; “Barb & Star: Casting in Paradise”; “Barb & Star Go to Vista Del Mar Fashion Show”; and bloopers. (Lionsgate Home Entertainment)

Earwig and the Witch (Blu-ray & DVD)

Growing up in an orphanage in the British countryside, Earwig has no idea that her mother had magical powers. Her life changes dramatically when a strange couple takes her in, and she is forced to live with a selfish witch. As the headstrong young girl sets out to uncover the secrets of her new guardians, she discovers a world of spells and potions, and a mysterious song that may be the key to finding the family she has always wanted.

From the great minds at Studio Ghibli, the film is produced by studio co-founder Toshio Suzuki, conceived by legend Hayao Miyazaki and directed by his acclaimed son, Goro Miyazaki. The story is based on the children’s novel, Earwig and the Witch, by Diana Wynne Jones, who also wrote Howl’s Moving Castle, another Ghibli classic. This was the studio’s first entirely 3DCG animated feature and although the effect is unfortunately lost on the home release, it does still result in some intensely captivating visuals with constantly moving parts. In addition to whimsical and somewhat dark representations of witchcraft, the movie has a very catchy theme song, “Don’t Disturb Me,” that recurs throughout the narrative. Earwig is a headstrong and clever girl, determined to win over her new foster parents and bend them to her own will — an ambitious goal given the circumstances.

Special features include: “Creating Earwig and the Witch”; feature-length storyboards; interviews with Japanese voice cast; and trailers. (Gkids & Shout Factory)

The Reckoning (Blu-ray)

After losing her husband during the Great Plague, Grace Haverstock (Charlotte Kirk) is unjustly accused of being a witch and placed in the custody of England’s most ruthless witch-hunter, Judge Moorcroft (Sean Pertwee). Forced to endure physical and emotional torture while steadfastly maintaining her innocence, Grace must face her own inner demons as the Devil himself starts to work his way into her mind.

It’s commonly understood the witch trials had very little to do with supernatural abilities, but was actually used to make false accusations against rivals who were then typically eliminated. People were tortured until they confessed and/or implicated someone else, many giving in simply to stop the pain. Grace’s will is shockingly strong, as she refuses to surrender to the torture — the worst of which director Neil Marshall leaves to audience’s imaginations. Though the physical damage appears to be underplayed, the psychological effects are far more prevalent and difficult to distinguish from reality. Has Grace’s grief manifested in the regular presence of her husband or is his ghost clinging to this realm to make sure she doesn’t give up? Are the endless indictments of witchcraft combined with sleep deprivation causing devilish hallucinations or is Satan really trying to claim her soul? Regardless of the answers to these questions, the explosive conclusion delivers a brand of justice most of these women never received.

There are no special features. (RLJE Films & Shudder)

Similar Posts

  • Review: ‘Boy and the World’ is a sad, wondrous and vivid journey (Includes first-hand account)

    To a child, the world is both full of wonder and anxiety; unknowns are both exciting and frightening; the wide open space outside their front door both calls for exploration and holds the terrifying possibility of becoming lost. The desire to understand is often overwhelming, even though the answer may exist beyond their grasp. In the Oscar-nominated animated film, Boy and the World, a child sets out alone to find out why his father has not returned home.

  • Review: ‘Annabelle: Creation’ is creepy… some of the time (Includes first-hand account)

    As a child, dolls that share the features of its owner — height, hair and eye colour, outfits — are delightful. Seeing themselves reflected in the figures brings them a strange sense of camaraderie that feeds their imaginations. However, as an adult, one begins to view these once charming toys with suspicion. What lurks behind those lifelike eyes that follow you across the room? What evil may possess the doll for its malevolent purposes? In Annabelle: Creation, such distrust comes too late.

  • Review: Neill Blomkamp’s ‘Chappie’ still has some major glitches (Includes first-hand account)

    Artificial intelligence in its current and imagined states is a rich system in which to speculate and postulate the future of technological advancement via science fiction narratives. In most cases the proposal includes world domination and/or destruction, reflecting an inherent human fear of mechanization. But fewer storytellers attempt to guess what integration might look like. In Chappie, writer/director Neill Blomkamp tells the tale of a robot who can learn to be human.

  • Review: This week’s releases play the cards they’re dealt

    This week’s releases include the return to a post-apocalyptic world; an exaggerated version of history; an enduring, righteous feud; the first adventures of a new USS crew; an unwelcome gift; a passionate amateur film crew; and a heist gone wrong.

  • Review: ‘Dead Men Tell No Tales’ except for familiar ones (Includes first-hand account)

    When studios find a cash cow, they’re generally unwilling to let it go even when it seems past due. But as long as audiences are willing to head to the theatre to see the latest installment, studios will keep a franchise going long past its last good movie. That’s not to say there can’t be a return to glory after a bunch of duds, but it’s a rare occurrence. Fortunately dedicated fans keep the hope alive, eager to see if this one could finally be the one. On that note, Pirates of the Caribbean: Dead Man Tell No Tales is new to theatres.