Review: ‘On Swift Horses’ never makes it to the finish line
‘On Swift Horses’ is a love story about taboo passions that do not have fairy tale endings — or, in this case, any ending at all.
Smart reviews for the visually obsessed. On Screen features film reviews and festival coverage, spotlighting cinematic craft, storytelling and standout performances.
‘On Swift Horses’ is a love story about taboo passions that do not have fairy tale endings — or, in this case, any ending at all.
‘Sinners’ is the story of twin brothers forced to confront supernatural party crashers at their club’s grand opening.
‘The Amateur’ is an understated thriller in which an analyst tries his hand at vigilantism following his wife’s execution.
‘Drop’ is a technological thriller in which a woman receives threatening texts while on a fancy dinner date.
‘The Friend’ depicts two characters coping with a friend’s suicide — his longtime companion and his dog.
‘Death of a Unicorn’ explores the dark side of the enchanting myth, demonstrating the bloody consequences for interfering with one of nature’s most enthralling creatures.
‘Mickey 17’ is the bizarre tale of a man who joins a space mission only to repeatedly die, and be resurrected over and over again.
‘Last Breath’ is the fast-paced depiction of one diver’s harrowing ordeal on the sea floor when he’s cut-off from his crew.
‘Paddington in Peru’ returns the loveable bear to his native rainforest on a quest to save his aunt that will unknowingly benefit him as well.
‘Heart Eyes’ is a meta slasher comedy in which a serial killer wages a war on love by murderously interrupting Valentine’s dates.
‘Companion’ shows humans are capable of horrible acts and AI is just a reflection of their inhumanity.
‘Presence’ is a recognizable family drama shown through the unique perspective of an observant spirit.