Review: Hot Docs pay tribute to director & servers everywhere with ‘Dish’ (Includes first-hand account)

Waitressing is a very old profession. In North America, it was long viewed as a vocation dominated by women. But this has not been true across the world. Maya Gallus’ 2010 documentary, Dish — Women, Waitressing & the Art of Service, explores the various roles and status positions waiting holds in Canada, France and Japan.

From the iconic waitresses of ‘eggs-over-easy’ diners and truck stops in Toronto to the gritty and glamorous “sexy resto” serveuses in Montreal, the service industry is shown to have many faces. The film also takes viewers to the elite world of haute cuisine in Paris, where female servers are simply unacceptable, and the bizarre maid cafés of Tokyo, where modern-day geisha tread a fine line between service and servitude.

Gallus is a former waitress herself and she uses the documentary to introduce audiences to these women who talk about their experiences, and reveal the fantasies and desires customers project onto female servers: substitute wife, girlfriend and/or servant. In North America, the service industry is shown to be female-dominated, but many of the women are relegated to lower-end establishments: truck stops, diners and bars. The more sophisticated the dining experience, the more respect and money the server commands — and the more likely the server is a man.

The women interviewed are very candid about their jobs, what they think of their customers and why they entered the profession. Generally and most obviously, they started because they needed to work. But most of these women are not ashamed about turning waitressing into a career; what they do is hard and necessary work, and they are proud of what they accomplish in a day. On the other hand, the sexy servers in Montreal provide a slightly less idealistic view of the industry.

Limits are obviously impossible to avoid; thus, filmmakers can’t be viewed negatively for only exploring certain types of restaurants in certain countries. Instead, they sensibly choose to juxtapose the familiar stereotype of waitressing with some very different versions of the business.

A Gemini award-winning director and producer, Gallus is the subject of this year’s “Focus On” retrospective at the Hot Docs Canadian International Documentary Festival, which highlights the work of a mid-career Canadian filmmaker. Dish is one of six films screening as part of the program.

Director: Maya Gallus

Similar Posts

  • Review: ‘The Aftermath’ discovers a fine line between love and hate (Includes first-hand account)

    There are many things that can put a strain on a relationship. While it may be able to endure one stressor, more than that can cause irreparable damage and forcibly sever even the strongest bond. Examples of these burdens include death, war, distance, betrayal and blame — any one of which can create a rift that is widened with each additional problem. Perhaps most unfortunately, people can begin to drift without even realizing it’s happening until it’s too late and there’s nothing left but unsalvageable remains. The Aftermath takes place following several devastating events, the most significant being World War II.

  • Review: Nothing looks as good as ‘Planet Earth II’ in 4K (Includes first-hand account)

    It’s been 10 years since the BBC first mesmerized audiences with its best-selling, Emmy Award-winning natural history series, Planet Earth. It was definitively one of the most striking depictions of wildlife and their surrounding environments — until they released the sequel, Planet Earth II, which is at minimum its equal in jaw-dropping beauty and spellbinding images. The series is comprised of six, hour-long episodes bursting with one-of-a-kind footage and interesting facts once again narrated by David Attenborough… and for the first time, it is also being released on 4K Ultra HD Blu-ray.

  • Review: ‘Home’ relies on funny characters to alleviate predictable story (Includes first-hand account)

    The world (and apparently the universe) is full of people who don’t fit in and are, therefore, excluded and/or ignored by their peers. It seems like no matter how many are there to say it’s okay to be different, there are dozens more shouting the opposite. But not being like everyone else can have its advantages too. In Home, an alien’s specialness is what eventually elevates him to hero status.

  • Review: ‘A Christmas Horror Story’ is a gift-wrapped Halloween treat (Includes first-hand account)

    Since retail stores insist on displaying Halloween and Christmas decorations at the same time, why shouldn’t that crossover apply to other things like movies? Tim Burton’s The Nightmare Before Christmas is the chief (and least horrific) example in which the holidays intertwine; but other films include the Silent Night, Deadly Night series, Black Christmas and a killer Santa Clause short in the Tales from the Crypt movie. The latest picture to frighten the cheer from yuletide celebrations is A Christmas Horror Story.

  • Review: ‘Room’ begins where most stories about captivity end (Includes first-hand account)

    A large proportion of Lifetime TV movies focus on the survivors of horrific crimes, creating melodramatic depictions of the offense and its consequences. As terrible as these incidents are, the formula used to portray their stories is predictable and calculating to affect viewers’ emotions in certain ways at specific parts of the narrative. But that doesn’t mean these tales are immune to ingenuity; it just hasn’t been applied as often. Room approaches a story that has become far too common in the news from a fresh perspective that truly captures the intense effects of being held against one’s will.