A scene from ‘Bob Marley: One Love’

Review: ‘Bob Marley: One Love’ jams to the beat of his drum

‘Bob Marley: One Love’ is the story of how political unrest and a failed assassination attempt led to the creation of a gold record album.

Regardless of how much one knows about his life, Bob Marley left a legacy centred on peace, love and music. He died far too young, but led movements to unite his country and wrote songs to spread his message. He was passionate about how he felt for those around him and a survivor who fought until the end. He was a husband, father, friend, Rastafari, musician, artist and icon with each of those things supporting and complementing the other. Bob Marley: One Love is the story of a brief period in his life that saw two concerts for peace and the creation of an epic album.

Bob Marley (Kingsley Ben-Adir) was born in Jamaica before Britain relinquished control of the country. He was the son of a British soldier who would not acknowledge him. As a teen, his mother moved to the United States while he remained in Jamaica, where met his wife, Rita (Lashana Lynch). His band, originally The Wailing Wailers, established itself as a top reggae ensemble and gained widespread popularity. Marley’s concert for peace was met with a lot of resistance from both sides of the country’s political conflict as he refused to support either party. After a failed assassination attempt, he moved to London, where he would write “Exodus,” the band’s top-selling album. He died of cancer at age 36.

The movie covers one of the most significant years in Marley’s life as he went from a near-death experience and almost losing those closest to him to releasing an album that Time magazine would later declare is the best album of the 20th century. The story is interspersed with flashbacks to Marley’s childhood and teen years, featuring his only memory of his father, meeting his wife, embracing Rastafari and recording their first album. It was a chaotic time balanced with electric creativity that would inspire some of the band’s most memorable songs. But Marley was not without his faults and the film does not paint the portrait of a perfect man, but one that was deeply loved and passionate about his lyrical message.

Marley’s family was very much involved in the making of the movie, so it’s not surprising the disparaging parts of his life are minimized, but not absent. Similarly, Marley remained neutral when it came to politics, but they had a significant influence on him. So, the narrative contains high-level political drama afflicting Jamaica in the 1970s without more detailed explanations of the conflict. Naturally, the music is like a character in the picture, expressing love, outrage and hope, reflecting the emotions of the characters and their environment.

Casting is even more crucial in biopics as people are likely already familiar with the protagonists and have a frame of reference for the performance. Fortunately, Ben-Adir is well casted, mimicking Marley’s appearance and mannerisms to a tee. More importantly, he captures his energy. Yet, Ben-Adir’s performance is outshined by Lynch who embraces the challenge of portraying a still-living person and excels in playing a woman in the very difficult position of being in love with a man who is also an icon. Her strength is unwavering, even in times when most people would succumb to their vulnerabilities.

Director: Reinaldo Marcus Green
Starring: Kingsley Ben-Adir, Lashana Lynch and James Norton

Similar Posts

  • Review: ‘Batman v Superman’ is flawed in the most predictable ways (Includes first-hand account)

    Over the years there have been endless matches hypothesized between comic book characters, many of which have been played out in the panels. Where would the fight take place? What advantages would they have? And finally, who would win? Although Batman and Superman are on the same side of the fight against evil, they are fundamentally different types of heroes and have had many disagreements over the years. These conflicts have been worked out between the pages, but they’ve never been portrayed on the big screen — until now. With the proliferation of CGI effects and the popularity of superhero films, perhaps it’s the right time for Batman v Superman: Dawn of Justice.

  • Review: ‘It Comes at Night’ is haunting because it’s probable (Includes first-hand account)

    One of the most attractive aspects of post-apocalyptic movies from a filmmaker’s perspective is they can be made with big or small budgets. It can be populated with gruesome monsters or imply a destructive force lurks on the periphery. The nature of the movie allows the sets to be sparse and for a limited number of locations to be the norm rather than a notable reduction. They definitely present some limitations, but also a lot of opportunity. It Comes at Night is a movie about isolation by necessity and its effects on a family.

  • Review: ‘Hobbs & Shaw’ is pumped to reinvigorate the franchise (Includes first-hand account)

    With eight movies under its belt and at least a couple more on the way, everyone knows what to expect when they go to watch the a Fast and the Furious movie: fast cars, high-speed chases, entertaining quips, an emphasis family and a “do or die” attitude. But with the franchise potentially coming to a close, the studio would understandably have an interest in branching out and extending its longevity. Thus, they approached two of the series’ side characters about starring in a spinoff together — they’re already well-liked by audiences, so they’re the perfect candidates for launching a new franchise in the same world. And this brings us to, Fast & Furious Presents: Hobbs & Shaw.

  • Review: ‘I Smile Back’ is Sarah Silverman’s sincere portrait of addiction (Includes first-hand account)

    Without the proper coping mechanisms, life’s pressures can be overwhelming. Self- and society-imposed expectations are sometimes not only challenging but impossible to achieve. Mothers often feel this the most as everyone seems to have an opinion about what makes a good mom, providing varied and conflicting advice that can be enough to drive any parent to the edge. In I Smile Back, a woman who desires nothing more than to be a good wife and mother cannot overcome her self-destructive tendencies.

  • Review: ‘Going in Style’ has considerable flair (Includes first-hand account)

    There’s an intriguing phenomenon occurring in Hollywood at the moment: a generation of accomplished, acclaimed actors and filmmakers are getting old. In spite of being over the traditional age of retirement, they are still flourishing and working well into their 70s, 80s and even 90s. However, in order for them to do so, the types of narratives being told had to mature with them. Consequently, there has been a perceptible increase in the number of films made featuring older protagonists — the trick is to make them appeal to all ages. The latest in this series of films is Going in Style.