Review: ‘I Am Big Bird’ is a delightful record of the character and man (Includes interview)

There are certain aspects of childhood that carry through from one generation to the next. Since its inception, Sesame Street has been one of those pieces. Created by The Muppets originator Jim Henson, the show was intended to entertain and teach a young audience. Human characters would interact with the Muppet personalities and demonstrate valuable life and educational lessons. Though the furry, fuzzy and feathered creatures became international sensations, little was known about the people who operated them allowing them to maintain their anonymity in spite of being worldwide stars. I Am Big Bird: The Caroll Spinney Story sheds some light on the man who’s brought life to the lovable yellow bird and his grouchy friend for nearly 50 years.

Beginning like David Copperfield, the documentary starts with Spinney’s childhood. He shares delightful stories about the support of his artist mother and wretched tales about his abusive father. Fostering a love for puppetry early in life, in his 20s Spinney sought full-time work in the industry and was eventually notice by Henson who invited him to New York to work on Sesame Street. It wasn’t all smooth sailing, but once he found his characters’ voices and wife Debbie it all fell into place. Since then, Spinney seems to have lived the dream of meeting other celebrities (though Paul McCartney remains on the bucket list) and travelling the world, all behind the guise of Big Bird. His life has also been touched by tragedy, but he’s always made it through the darkness.

In spite of the setbacks Spinney’s experienced, this is still a fairy tale story of a boy who found his perfect place in life. Seeing clips from earlier in the PBS series brings to mind youthful memories of watching the show and stands as a reminder of its influence and entertainment value. Interweaving talking heads with archival photos, scenes from the show and home video creates an evocative experience that not only summons one’s personal familiarity with the show but also makes Spinney’s involvement tangible for audiences. In addition, although it is chronicling the puppeteer’s life, the story is not only told by him but through the perspectives of his friends, family, co-workers (labels that mean little in his world) and biographers.

Spinney is depicted as a bit of a loner, which for better or worse is aligned with the isolation generated by the characters he portrays. He recalls how he proposed Big Bird’s childlike innocence to writers and how a cab driver inspired the voice of Oscar the Grouch. Anecdotes of how his unintentional persistence led him to true love, death-defying filming in China, plucky college kids who helped themselves to feathered souvenirs and Mitt Romney‘s costly threat against Big Bird combine to illustrate Spinney’s dedication to his characters — whom he refers to as his children — and the world’s fascination with the show. Filmmakers don’t shy away from the more difficult topics either, from Henson’s untimely death (including Spinney’s/Big Bird’s heartbreaking rendition of “It’s not Easy Being Green” at the funeral), to the tragic murder of a woman on his property to the gradual transition of less screen time in favour of attracting an even younger audience with Elmo. Yet at 81, his story continues.

Though most adults have grown beyond their fascination with Sesame Street, this documentary is a welcome reminder of the good ol’ days and an even better history of one of the men who was there from the beginning — and still is to this day. Filmmakers expertly lace together a seemingly complete record of the amiable man behind (or inside) the famous Muppets so that audiences come away feeling as if they know Spinney and a twinge of wishing the magic never had to end.

Directors: Dave LaMattina and Chad N. Walker
Starring: Caroll Spinney, Jim Henson and Frank Oz

Similar Posts

  • Review: ‘Lights Out’ is scary in all the right places (Includes first-hand account)

    It’s not the actual darkness that frightens most people, but whatever danger may be lurking in the black void that they can’t see – and therefore can’t effectively defend against. Whether real or supernatural, we’re taught from an early age to be cautious of things that go bump in the night. Moreover the ancient dichotomy of light and dark is ingrained in our consciousness, inherently teaching that one is good and the other bad. Horror movies often exist in the shadows, taking advantage of these impulses and the lack of visibility to tell scary stories. Lights Out is one of the best concepts to leverage these fears in cinema.

  • Review: Hot Docs’ ‘PACmen’ expands on craziness of the 2016 US election (Includes first-hand account)

    The American electoral system is a strange beast with many influencing heads. The system itself is questionably multi-tiered, while it seems an unknown number of external groups can also attempt to sway the vote in their desired direction. In 2010, two Supreme Court decisions led to the creation of the political action committee (PAC), which made it legal for these entities to engage in unlimited political spending as long they did not make contributions to candidate campaigns or parties. Unlike traditional PACs, a super PAC can raise funds from individuals, corporations, unions, and other groups without any legal limit on donation size. In 2015, PACmen became the first film to go behind the curtain of one of these groups.

  • Review: ‘Rampage’ delivers on its promise — no more or less (Includes first-hand account)

    There is something very entertaining about watching giant monsters tear apart famous cities. Whether stop-motion creatures or CGI beasts, it’s often difficult — or even unintuitive — to root for the armed forces attempting to bring them down; this is particularly true when the creature has the potential to be cured/rehabilitated/relocated… alive. Often agitated at no fault of their own, the misunderstood beast acts out destructively. On the other hand, choosing sides in a winner takes all battle between two or more monsters is far easier. Such are the dilemmas faced when watching Rampage.