Review: ‘The Grinch’ appreciates and builds up from its roots (Includes first-hand account)

It seems like one of the simplest ways to capitalize on the holidays is recycle/reimagine a classic tale for a contemporary audience. Granted, many of the most beloved Christmas cartoons are more than half-a-century old — but their age doesn’t make them any less endearing or enjoyable. Nonetheless, there is an unexplainable and explicit need to remake these specials using modern techniques and padded storylines. The latest to get this treatment (for the second time) is Dr. Seuss’ own green grouch, who despises merry occasions and happy people. The Grinch is now a feature-length animation with some extra plot.

Grinch (Benedict Cumberbatch) lives high up in the mountains, isolated from everyone and everything except his faithful dog, Max. Forced to venture down to Whoville in mid-December, he is assaulted by Christmas cheer and vows to rid the townsfolk of their merriment. Using his talents as an inventor and recruiting a dim reindeer named Fred, Grinch devises a plan to be the anti-Santa Claus and steal Christmas in a single night. Meanwhile, down in Whoville, Cindy Lou (Cameron Seely) is desperate for a face-to-face chat with St. Nick so she can make a special present request.

Rather than just assuming the Grinch is inherently mean, the film reaches back into his childhood to find a little boy who was lonely on Christmas and resented everyone who was able to celebrate with their families. Apparently this is the leading cause of his heart being two sizes too small. Since the story begins nearly a week before the big day, there’s a lot of time to fill with planning and rehearsing. In the meantime, audiences also get to know Cindy Lou, her twin infant brothers and her exhausted single mom, Donna (Rashida Jones). Alongside her best friend, Groopert (Tristan O’Hare), she formulates a plan to trap the jolly old guy so she can deliver her wish in-person. There’s also Mr. Bricklebaum (Kenan Thompson), who is literally the happiest person in Whoville, and consequently Grinch’s worst enemy (in his miserable eyes at least).

Nonetheless, the core of the story remains the same with a narrator (Pharrell Williams) delivering the classic rhymes with a few added but fitting lines to accommodate the additional story. Unlike the live-action version, this newly animated edition shares a lot of similarities with the original, which makes it more palatable. Although the only song to be completely carried forward into the narrative is “Welcome Christmas,” the traditional “You’re a mean one, Mr. Grinch” is present via an instrumental rendition that plays over appropriate scenes.

While the concise, heartwarming 1966 TV special featuring Boris Karloff remains the best version against which all others must be measured, this extended update retains much of the charm and delightfulness of its predecessor. Moreover, what it does add is still sweet and in the spirit of the original narrative. Thus, Illumination combines its fondness for adorable creatures with a talent for revitalizing a classic story.

His other favorite holiday. #WorldSmileDay pic.twitter.com/2mFnncw4M7

— The Grinch (@grinchmovie) October 5, 2018

Directors: Yarrow Cheney and Scott Mosier
Starring: Benedict Cumberbatch, Cameron Seely and Rashida Jones

Similar Posts

  • Review: ‘Paddington’ movie is sweeter than marmalade (Includes first-hand account)

    Many adults are seeing their childhood favourites reimagined on the big screen, though it’s not always everything for which they could have hoped. In some (many) cases, the spirit of the source material is lost and the end result is a hideous, mutant incarnation of the original — or at least that’s what it feels like. But there are other times when the new version is the perfect embodiment of everything that was wonderful about the original, seamlessly transferring it from the page or small screen to a new cinematic landscape. Admirers and those with fond memories of the well-meaning bear will be happy to know Paddington falls squarely in the latter category.

  • Review: ‘Ant-Man and The Wasp’ delivers fun in multiple sizes (Includes first-hand account)

    One of the last times anyone saw Ant-Man, he was 65′ tall and swatting at Spider-Man as Captain America and Iron Man battled over who should sit at the head of the Avengers table in Captain America: Civil War. There’s been some amusing conversation about where the tiny superhero was during the epic stand-off with Thanos and his cronies in Avengers: Infinity War part one, but no definitive answers. Since Germany, Scott Lang has simply been off the grid. But he’s finally resurfaced and he’s brought a friend in Ant-Man and The Wasp.

  • Review: ‘Me and Earl and the Dying Girl’ is year’s best movie contender (Includes first-hand account)

    While some of the best remembered teen movies are comedies, some of the most resonant narratives have been dramas in which youths are forced to come to terms with some difficult aspect of living beyond the typical adolescent heartbreak. Executed incorrectly and the tale is an overwrought mess of emotions or wholly superficial. Conversely, if done properly, the film will have a lasting impact that affects and stays with audiences. Me and Earl and the Dying Girl is an exceptional example of the latter that currently stands as one of the best movies of the year.