Review: ‘Tolkien’ is the tale of where it all truly started (Includes first-hand account)

A successful saga is a true accomplishment as it requires the storyteller to captivate someone for an extended period of time, bridging multiple installments that may take years to complete. There’s a special kind of magic to that kind of tale, creating devout followers who must see their beloved characters to the end as they’ve stayed with them through thick and thin. Whether in movies or books (or both), these stories are the ones that stay forever in people’s hearts and minds. J.R.R. Tolkien was the writer of one of these great epics, but now fans can learn a little more about the man behind the words in Tolkien.

John Ronald Reuel Tolkien’s (Nicholas Hoult) mother (Laura Donnelly) was a wonderful bedtime storyteller, but illness took her when he was only 12. After being sent to several foster homes, he and his younger brother came to reside with an elderly woman who was more of a benefactor than anything maternal. But in that house he met the love of his life, fellow orphan and pianist Edith (Lily Collins). At his new prestigious school, he became best friends with three other creative lads and formed a club in which they’d share their art and support each other’s endeavours. John went onto Oxford where he eventually landed on studying language, having already created one of his own. His education was interrupted by WWI, which would have a lasting effect on him. But years later, settled into house and home, he’d finally pen his first great adventure, The Hobbit.

While sharing with audiences the biography of a great writer and philologist, this movie is primarily an exploration of Tolkien’s influences for his two greatest tales. As a child, one sees his love of stories was cultivated by his mother who home-schooled the brothers and would make a production out of story time. Similarly, John became adept at spinning a yarn with only the smallest suggestion. His friends would inspire the fellowship, while the ring would be drawn from one of Wagner’s operas. His love of language and ability to create his own explains Elven and the many others in his books. A comrade in the army is clearly his inspiration for Samwise Gamgee, as he swears to remain at John’s side during a personal and dangerous mission. And his fever-induced hallucinations of black apparitions floating across the battlefield likely led to the Ringwraiths.

In addition to these links to two beloved narratives — The Hobbit and The Lord of the Rings trilogy — Hoult’s wonderful performance is one of the things that keeps audiences engaged. He portrays Tolkien as a caring young man with an exceptional imagination who anyone can’t help but like. It’s unlikely he was charmingly flawless as depicted, but he was clearly observational and very clever. Collins is also lovely in what is essentially the only female character in the picture, providing the inspiration for the Elven women in his stories.

This picture will primarily appeal to fans of Tolkien’s books and to a lesser extent the movies, but it does give admirers some insight into how the author developed such a detailed and prolific world.

A life of fellowship.#TolkienMovie – advance screening May 7, in theaters everywhere May 10. Get tickets: #Searchlight pic.twitter.com/UfyNvSDcZf

— Tolkien (@TolkienMovie) May 2, 2019

Director: Dome Karukoski
Starring: Nicholas Hoult, Lily Collins and Colm Meaney

Similar Posts

  • Review: ‘Split’ is an invigorating thriller that restores Shyamalan’s rep (Includes first-hand account)

    If there’s one thing that can be said about writer/director M. Night Shyamalan, it’s that he has interesting ideas. Not all of those concepts have translated into good films, but there have been some clear winners within the dozen titles listed on his IMDB page. He’s spent his 25-year career trying to keep audiences on their toes, while also telling engrossing stories. His penchant for a final twist has become a signature and therefore the burden falls on him to truly make it unexpected. It’s been nearly two decades since he delivered one as shocking as the final reveal in Split, which has been almost as long in the making.

  • Review: ‘The Mummy’ needs its priorities reordered (Includes first-hand account)

    It’s no longer unusual to see studios looking for new ideas to reach back into their histories and reboot old ideas or franchises. For many who’ve watched the originals, this ranges from a minor irritation to an outright offense. But the reality persists and it’s arguably unfair to judge a movie before watching it, or to carry preconceptions into a screening. So (almost) every picture deserves a fair shake, but then it’s open season. The latest film up for reboot judgement is The Mummy and it seems there may have been a good film in there somewhere.

  • Review: ‘Live by Night’ could have benefitted from greater focus (Includes first-hand account)

    The gangster movie has always been a staple of cinema, from the 1930s black-and-white Little Caesar and The Public Enemy to The Godfather, Scarface (remake) and Goodfellas. Audiences are fascinated by the career criminal and his rise to be king of the mountain… before he’s inevitably knocked down by another ambitious crook. The façade that they are simply businessmen that handle more “delicate” merchandise and take a keen interest in managing the competition has always been one of the more intriguing aspects of their personalities — the ability to compartmentalize, rationalize and, when all else fails, deny. Live by Night is slightly more complex as its protagonist has always had higher, more sensitive aspirations.