A scene from ‘Silent Night, Deadly Night’

Silent Night, Deadly Night review: A new twist on the holiday murder spree

‘Silent Night, Deadly Night’ reimagines the festive serial killer as a vigilante Santa crossing names off the naughty list.

In Silent Night, Deadly Night, killing is a holiday tradition passed on from one St. Nick to another.

When Billy was a child, a man dressed as Santa Claus slayed his parents on the side of a road. Now, in his twenties, Billy (Rohan Campbell) is racking up his own body count. The voice (Mark Acheson) in Billy’s head selects his victims and helps the socially awkward young man navigate the world. But everything changes when he meets Pam (Ruby Modine).

This is a remake of the 1984 slasher film of the same name. The Billy in this film also kills people on the naughty list, but they’ve potentially done more than have sex before marriage. When Billy dawns his Santa suit, he becomes a Christmas vigilante. Unfortunately, falling for Pam distracts him and makes him a bit reckless — much to the voice’s chagrin.

Like many good, low budget horror pictures, most violent acts occur off screen or at a distance. But there is plenty of blood spray to repeatedly stain Billy’s white suit trim. Nonetheless, what it lacks in gore, it makes up for in style. A flashy title treatment precedes each murder, setting the stage for what’s about to come. The simple addition gives the film character.

Billy’s gravelly imaginary friend has a surprisingly likeable personality. One can almost imagine the bearded sage speaking just out of frame.

Overall, this film is an improvement over the original. It replaces the standard slasher fare with a more complex story that forces audiences to reserve their judgement.

Read the full review of Silent Night, Deadly Night at thatshelf.com.

Director: Mike P. Nelson
Starring: Rohan Campbell, Ruby Modine and Mark Acheson

Similar Posts

  • Review: TIFF 2018: Cheer on ‘The Extraordinary Journey of Celeste Garcia’ (Includes first-hand account)

    In addition to being hilarious, there was another reason fans gravitated towards Douglas Adams’ The Hitchhiker’s Guide to the Galaxy series — it was about an ordinary bloke in uncommon circumstances in an alien world. If the truth is, in fact, out there, perhaps one day some aspect of these stories could prove to be true. Forget travelling the world… people could travel the universe. In The Extraordinary Journey of Celeste Garcia, a woman with a relatively banal existence is presented the opportunity of a lifetime and she can’t wait to accept.

  • Review: ‘WandaVision’ is a unique and loving tribute to fan favourites (Includes first-hand account)

    One of the things that’s become clear over the last decade of the Marvel Cinematic Universe is the studio is not afraid to take risks when it comes to storytelling style. Consequently, Guardians of the Galaxy became a box office hit, and Thor: Ragnarok broke new comedic ground much to the acclaim of moviegoers and critics alike. While the company partnered with Netflix to bring several characters’ stories to the small screen, their new television venture is going in a wholly new direction. Leveraging the power of their subscription streaming platform, Disney+, the studio will be launching a number of series exploring Marvel personalities who’ve been spotlight adjacent. First up is WandaVision, which is launching with episodes one and two of a nine-episode season that focus on a pair who captured each other’s and audience’s hearts with their unconventional romance and tragic conclusion — in spite of getting very little screen time in the grand scheme of things.

  • Review: ‘Alice Through the Looking Glass’ is still an actor’s playground (Includes first-hand account)

    When certain fiction properties are already well-known, it can seem limiting to stay too close to the source material when reviving them on the screen. Instead, while remaining as true as possible to the original characters, creators can hope to be forgiven – or even commended – for applying some ingenuity and adding their own angle to a classic narrative. Lewis Carroll’s sequel to Alice in Wonderland wasn’t nearly as adventurous as the cinematic follow-up, having revolved around a unique game of chess; however, filmmakers have opted to spice up Alice Through the Looking Glass with some time travel and a clock that threatens to tick its last tock.

  • Review: ‘Rogue One’ adds to the franchise as a standalone powerhouse (Includes first-hand account)

    Disney’s acquirement of Lucasfilm has put the studio on track for at least one film per year for the foreseeable future. They then made a promising statement with the acclaimed release of Star Wars Episode VII: The Force Awakens, which met and in some ways even exceeded fans’ expectations. The film’s multi-faceted success created an aura of hope for future installments and a lot of curiosity around the previously announced standalone movies. The second picture to hit theatres from the new era is Rogue One: A Star Wars Story, which exists in the same universe but isn’t beholden to all that came before it.