Review: TIFF 2019: ‘Jungleland’ is neither road trip nor boxing movie (Includes first-hand account)

Love is a tricky emotion because even though you love something or someone, you don’t necessarily have to like them too — at least not all of the time. But it’s in those moments of dislike that love is most important because it keeps you tethered, for better or worse. This happens often between family members and on a similar level, professional athletes. The time to worry is when the scales are weighing more heavily on the negative side. In Jungleland, adult siblings cling to their love for each other and boxing, but the ties that bind them aren’t as strong as they used to be.

Lion (Jack O’Connell) was a professional boxer. Now, thanks to some poor judgement by his older brother, Stanley (Charlie Hunnam), he’s a bare-knuckle fighter in underground rings around the city. But one screw up leads to another and now they’re in deep to a local gangster. The solution: drive cross-country to San Francisco to fight in a tournament with a big prize and drop-off Sky (Jessica Barden) without asking any questions. Of course, their road trip is plagued with self-inflicted problems and their odds of success — or survival — lessen with every mile gained.

This isn’t your typical road trip or boxing movie as both those things take a backseat to the brotherly conflict between Stanley and Lion. The dynamic is familiar: Lion feels like he owes Stanley because he cared for him when no one else was around. But that debt has come at a heavy price to Lion, both physically and emotionally. As much as he tries not to think about it, he’s well aware his brother destroyed his career and continues to be the reason they’re always on the run. Conversely, Stanley chooses to see himself as the reason they’ve stayed afloat all these years as barely getting by is still getting by. But their difference of opinion is about to come to a head. Sky’s presence certainly complicates the situation, but she’s simply a catalyst and an excuse.

There’s only three fights in the film and there’s nothing spectacular about them. Instead, audiences are made to feel the brutality of Lion’s reality by watching grown men pummel each other without gloves for a few hundred bucks. As they spit blood and Stanley shouts encouragement from the sidelines, unscathed, it’s clear viewers are expected to sympathize with the younger brother. By making Stanley the outsider, his actions are immediately viewed with some level of disdain — usually because he’s in the midst of doing something disdainful — which makes the ending not only predictable but easier to swallow.

There’s a good connection between O’Connell and Hunnam, which makes their love-hate relationship feel authentic and captures the audience’s attention. But the inclusion of Sky in their narrative is too much of a device and actually weakens an otherwise solid story about two brothers acknowledging their co-dependency, confronting their animosity and searching for reasons to stay together.

Jungleland had its world premiere in the Special Presentations category at the Toronto International Film Festival. Don’t miss the rest of our TIFF 2019 coverage.

Director: Max Winkler
Starring: Charlie Hunnam, Jack O’Connell and Jessica Barden

Similar Posts

  • Review: ‘Kingsman: The Golden Circle’ takes its crazy gunplay overseas (Includes first-hand account)

    Everyone is familiar with the usual protectors, such as first responders, military and government agencies, but the fictional, secret defenders can be so much more interesting. Cloak-and-dagger codenames, classified missions, undisclosed locations, unparalleled skill, and technology most people never even dreamed could exist are just some of the elements that make this genre so attractive. For decades the Brits have had James Bond, but more recently audiences were introduced to the Kingsman. And now picking up after the terrible tragedy that concluded the first film, Kingsman: The Golden Circle takes on a new threat that will tear them apart.

  • Review: Julianne Moore earns more than just an Oscar nom in ‘Still Alice’ (Includes first-hand account)

    North America has reached a stage in which most of its population is or will be seniors in a few short years. Thus the concerns of aging are becoming more mainstream, including retirement, nursing homes, health care and diseases that target the elderly. For many, Alzheimer’s is an affliction reserved for the aged and something dreaded but almost expected to occur after a certain age. But in a few less common cases it doesn’t wait. Still Alice is about a woman in her 40s who begins to forget.

  • Review: TIFF 2017 — Top 10 films we saw this year (Includes first-hand account)

    Every year following Labour Day weekend in September, downtown Toronto is flooded with moviegoers seeking a transcendent viewing experience and stargazers hoping for a glimpse of any number of the celebrities passing through the city. The Toronto International Film Festival celebrated its 42nd anniversary this year and marked the occasion with some significant changes, including the elimination of the City to City and fan-favourite Vanguard programs as well as two venues, an overall 20 per cent reduction in the number of films selected, and the announcement of CEO Piers Handling’s retirement. Nonetheless, there was still plenty to see and most of the adjustments weren’t even a blip on the radar.