Bradley Whitford

  • Review: ‘Godzilla: King of the Monsters’ is a problematic ruler (Includes first-hand account)

    Since being introduced by Toho in 1954, Kaiju have fascinated movie audiences with their sheer enormity and devastating destructive abilities. Then they took it up a notch by shifting the beasts’ focus to each other as the giant creatures battle for supremacy while still obliterating everything in their paths. With dozens of pictures in their catalogue and fans all over the world, they’d essentially created a genre. Now, as Hollywood continues to reach back in time for inspiration, they’ve decided to reboot the stories and rebuild the world of “titans.” In Godzilla: King of the Monsters, the giant reptile is in hiding but the government would prefer him dead.

  • Review: Comedian Jordan Peele’s ‘Get Out’ may be year’s best horror movie (Includes first-hand account)

    Since the earliest silent pictures about monsters and murderers, the horror genre has been used to explore social and political issues. Whether highlighting the struggles of the poor, the consequences of war or the subsistence of racism, the surrealism of a scary movie can provide the perfect environment to create a metaphor that serves as intelligent commentary on reality. Whether subtle or overt, not underestimating the audience’s ability to identify and understand the film’s meaning can lead to outstanding works of fiction. Get Out is as thought-provoking as it is disturbing, continuing an optimistic start for genre movies in 2017.