Shelter review: Who else you gonna call when a girl’s in trouble?
‘Shelter’ opens an angry can of worms when a recluse jeopardizes his hard-earned anonymity to save a girl’s life.
‘Shelter’ opens an angry can of worms when a recluse jeopardizes his hard-earned anonymity to save a girl’s life.
‘The Beekeeper’ is a fast-paced action movie in which a one-man army aims to takedown a criminal operation scamming society’s vulnerable.
‘Fast X’ takes the team on a world tour as they try to avoid the wrath of a crazy villain bent on revenge by erasing them from the planet.
With eight movies under its belt and at least a couple more on the way, everyone knows what to expect when they go to watch the a Fast and the Furious movie: fast cars, high-speed chases, entertaining quips, an emphasis family and a “do or die” attitude. But with the franchise potentially coming to a close, the studio would understandably have an interest in branching out and extending its longevity. Thus, they approached two of the series’ side characters about starring in a spinoff together — they’re already well-liked by audiences, so they’re the perfect candidates for launching a new franchise in the same world. And this brings us to, Fast & Furious Presents: Hobbs & Shaw.
The Fast and the Furious franchise established itself on a principle of fast cars, crazy stunts and good-looking people. The storylines are generally pretty thin, but that’s not really why audiences go to these movies. The death of one of the stars, Paul Walker, hasn’t slowed their momentum, but whether it’s affected the quality of the movies is another matter. The latest picture, and the first in what is expected to be a closing trilogy, is The Fate of the Furious, which separates the team and replenishes its numbers.
The world of espionage is rife with possibilities for smooth and charming agents, but it also has the potential for sharp humour. The latter can be a bit dicey in terms of quality, particularly depending on the type of comedy used — too many pratfalls, bathroom jokes or forced wit can rapidly drag a movie down. There are prominent examples of good and bad films, so Spy had a 50/50 chance of being genuinely entertaining (or alternatively, absolute torture).
When the first film premiered in 2001, there was a lot of uncertainty whether The Fast and the Furious would launch a successful franchise — a theory the second film did not do much to refute as it focused on only one-half of the dynamic duo that propelled the original. Though none of the early characters appear in the third film, The Fast and the Furious: Tokyo Drift breathed new life into the franchise. The fourth film‘s reunion unleashed a can of NOS and it hasn’t slowed down since. In Furious 7, the story is looping in on itself and doing everything required of a successful series.
Las Vegas is a city full of people who have interesting stories of sorrow and success. Winners turn to losers and vice versa at the roll of the dice. And then there’s the seedier underbelly that preys on visitors who don’t know what to look for or know exactly what they want. In Wild Card the main character treads between worlds, running a legitimate protection business and getting his hands dirty when the situation calls for it.