The Housemaid review: A thriller that keeps everyone guessing
‘The Housemaid’ adapts a novel about two women who are nearly destroyed by the many secrets they each keep.
‘The Housemaid’ adapts a novel about two women who are nearly destroyed by the many secrets they each keep.
The leading issue with pre-determined notions regarding a yet-to-be-released movie is that they’re generally unfounded, even if not always disproven. Most people are aware that promotional campaigns, particularly trailers, can do a great disservice to otherwise likeable and/or respectable films. And while a distaste for remakes that don’t add anything meaningful to the conversation is warranted, there are exceptions to the anti-remake position. One of the most notable is when a studio and/or filmmaker is eager to deliver a new perspective on a classic narrative, rather than simply rehashing what was done before. Paul Feig‘s Ghostbusters is that exceptional movie.
Since announcing an all-female cast reboot, Paul Feig‘s Ghostbusters movie has been on everyone’s radar. The director has “leaked” several photos from the set, giving fans their first glimpses of the team in uniform and their upgraded gadgets. But still, one never really knows what to expect when a classic franchise is given a makeover. Today some light was cast on the shadows with the release of the first, full-length trailer.
The world of espionage is rife with possibilities for smooth and charming agents, but it also has the potential for sharp humour. The latter can be a bit dicey in terms of quality, particularly depending on the type of comedy used — too many pratfalls, bathroom jokes or forced wit can rapidly drag a movie down. There are prominent examples of good and bad films, so Spy had a 50/50 chance of being genuinely entertaining (or alternatively, absolute torture).