The Housemaid review: A thriller that keeps everyone guessing
‘The Housemaid’ adapts a novel about two women who are nearly destroyed by the many secrets they each keep.
Smart reviews for the visually obsessed. On Screen features film reviews and festival coverage, spotlighting cinematic craft, storytelling and standout performances.
‘The Housemaid’ adapts a novel about two women who are nearly destroyed by the many secrets they each keep.
‘Dust Bunny’ combines all the creative flair Bryan Fuller’s shown on the small screen with a charming blend of fantasy and horror.
‘Silent Night, Deadly Night’ reimagines the festive serial killer as a vigilante Santa crossing names off the naughty list.
‘Five Nights at Freddy’s 2’ still delivers the scares, but is too busy setting up the plot to advance its once-plausible characters.
‘Hamnet’ goes off-stage to show the devastating events that may have inspired Shakespeare’s famous tragedy, ‘Hamlet.’
‘Rental Family’ is one of the year’s standout feel-good films as an American finally stops feeling like an outsider in his new home.
‘Now You See Me: Now You Don’t’ brings the fun back into a franchise that faltered a little the last time it took the stage.
‘The Running Man’ distracts a disgruntled population with lethal game shows, but they may finally get the hero they deserve.
In ‘Die My Love,’ a woman’s imagination blends with reality as she’s overwhelmed by the lonely tedium of her rural home.
‘Christy’ recounts a pioneering woman boxer’s life as she fights for recognition in the ring and survival outside of it.
‘Violent Ends’ is a protracted quest for vengeance by a man who spent his life avoiding his family’s criminal legacy.
‘Black Phone 2’ is a rare sequel that matches the original’s creepiness, while also reimagining an iconic horror technique.