TIFF ’24 Review: ‘The Life of Chuck’ charms its way through the madness
‘The Life of Chuck’ is the bizarre story that begins with the world’s end and the mystery of Charles Krantz.
TIFF
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TIFF ’24 Review: ‘Santosh’ finds justice is a tricky concept
‘Santosh’ follows a widow who inherits her husband’s police job and becomes embroiled in an intricate murder investigation.
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TIFF ’24 Review: ‘The Luckiest Man in America’ is a chronicle of errors
‘The Luckiest Man in America’ follows a man who won the largest ever prize in game show history by gaming the system.
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TIFF ’24 Review: ‘40 Acres’ is an unexpectedly heartening post-apocalyptic picture
‘40 Acres’ follows a family who protects themselves from opportunistic raiders with an armoury and healthy sense of suspicion.
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TIFF ’24 Review: ‘The Substance’ holds a mirror up to beauty standards
‘The Substance’ is a body horror picture about an aging actress that goes to extreme measures to recapture her success.
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TIFF ’24 Review: ‘The Last Showgirl’ is about change without regret
‘The Last Showgirl’ forces a woman to confront her choices when she’s fired from a job to which she dedicated her life.
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TIFF ’24 Review: ‘Dead Talents Society’ depicts a competitive afterlife
‘Dead Talents Society’ is a supernatural horror comedy about ghosts who endeavour to be the centre of an urban legend or risk disappearing entirely.
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TIFF ’24 Review: ‘Sweet Angel Baby’ is a distinct advocate of individuality
‘Sweet Angel Baby’ chronicles a woman’s desire to be uninhibited and the consequences of her secret abandon.
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TIFF ’24 Review: ‘Conclave’ is shockingly tense
‘Conclave’ goes behind the curtain to observe the fictional election of the next Pope in a process surprisingly fraught with scandal.
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TIFF ’24 Review: ‘The Mother and the Bear’ has a good but misguided heart
‘The Mother and the Bear’ follows a mother from Seoul to Winnipeg as she makes countless mistakes trying to care for her hospitalized daughter.
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TIFF ’24 Review: ‘Do I Know You From Somewhere?’ explores the paths not taken
‘Do I Know You From Somewhere?’ follows a couple as mysterious things happen on their anniversary, pointing to a potentially different life for each of them.
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TIFF ’24 Review: ‘Paying for It’ is remarkably honest
‘Paying for It’ is based on the true story of a relationship’s devolution and a man’s shift to purely transactional sex.
