TIFF ’22 Review: ‘The Blackening’ breathes new life into meta-horror
‘The Blackening’ is a slasher comedy, featuring an all-Black cast that refuses to follow established horror movie rules.
‘The Blackening’ is a slasher comedy, featuring an all-Black cast that refuses to follow established horror movie rules.
‘The Swearing Jar’ is about a young woman who has two unexpected beginnings that play out simultaneously over the course of the narrative.
‘Soft’ follows a three genderqueer adolescents during their summer antics, during which their bonds are tested by a mysterious disappearance.
‘I Like Movies’ focuses on a socially-inept teen on the brink of graduation who is so obsessed with film, he’s losing touch with the real world around him.
‘Women Talking’ centres on a group of women who finally decide to put their safety first, but must now weigh the consequences of their actions.
‘Broker’ is an unexpectedly heartfelt dramedy about a set of unrelated individuals trying to sell a baby and the cops trying to stop them.
‘The End of Sex’ is a romantic comedy about a happy marriage on the brink of collapse after the couple tries to spice up their sex life.
‘Wolf’ is a love story within the confines of an institution for teens with extreme identity issues who are under the care of a brutal doctor.
‘Silent Night’ centres on a heartwarming holiday gathering in the country that is shrouded in a cloud of impending tragedy.
‘The Mad Women’s Ball’ is the chilling tale of a young woman committed to an asylum because her family will no longer tolerate her eccentricities.
In ‘Zalava’, a military officer’s skepticism of the paranormal and demonic possession causes chaos in a small, remote village that relies on exorcism for its success.
‘Night Raiders’ is an evocative genre film that draws on the trauma of the residential school system to tell its story of a military-occupied future.