A scene from ‘Satan Wants You’

Hot Docs Review: ‘Satan Wants You’ is a lesson in scaremongering

‘Satan Wants You’ explores the ethnically-questionable relationship that formed between a psychiatrist and his patient as they worked together to uncover her repressed memories of being abused by a Satanic cult.

Even though it may seem like we live in a new world of falsehoods and injustice, the truth is humans have lived through numerous periods of people vehemently taking up a disingenuous cause and hurting innocents in the process. Fear is a powerful motivator and has an uncanny ability to band together unlikely allies in even nonsensical fights. In some cases, the consequences of not acting immediately are felt to outweigh the benefits of pausing for further investigation, which can lead to even worse outcomes. Satan Wants You examines how one book may have sparked the Satanic Panic that spread in the ‘80s and ‘90s in North America.

It’s hard to believe so many people were swept up into and had their lives ruined by a single, unsubstantiated — and eventually discounted — memoir. Michelle Remembers was first published in 1980. It was written by a woman, Michelle Smith, who uncovers buried memories of being tortured by baby-sacrificing devil worshippers when she was a child, and Canadian psychiatrist Lawrence Pazder, who helped her access these repressed memories via ethically-questionable, recovered-memory therapy. Audio recordings of her sessions were transcribed and annotated with his expert commentary, turning her horrific stories into a sensation and bestseller. Book tours, television appearances and print interviews spread their story far and wide. Suddenly, the police are being given primers on spotting satanic cults and their victims, and at the peak of Satanic Panic, a string of people are charged with ritual torture and abuse (though many of them would later be acquitted).

As the documentary recounts fictional tales, most of the scenes are blurred visions of satanic-looking symbols, and other undefined images and rituals. Never-before-heard audio recordings of Smith’s so-called memories are played throughout the film, her voice anguished, uttered in various pitches. However, as the evolution of their relationship is revealed, viewers may begin to see how both doctor and patient were manipulating each other to achieve their goals. Interviews with their respective families describe how they both became obsessed with unearthing more memories, and then publicly promoting their revelations. Archival footage shows they revelled in the attention, though even superficial investigation exposes evidence that contradicts Smith’s statements.

The film spends a bit too much time indulging in Smith’s fantasies before finally drawing the connection between the book and the flurry of devil-worship accusations that occurred in the years following its release. There are some interesting perspectives presented by law enforcement, particularly as one identifies as the first Wiccan police detective. But even though a collage of news coverage is displayed, it only briefly focuses on one story of a schoolteacher accused of abusing her pupils and the efforts to clear her name. It’s somewhat unfortunate the link between the book and Satanic Panic isn’t explored more deeply, but the efforts to shine a light on Smith and Pazder’s inadvertent role in its rise is eye-opening nonetheless.

Satan Wants You had its Canadian premiere in the Nightvision programme at the Hot Docs Festival.

Read other reviews from the festival.

Directors: Steve J. Adams and Sean Horlor

Similar Posts

  • Review: There’s no two films alike in Hot Docs’ World Showcase (Includes first-hand account)

    The Earth is a big place, filled with endless stories waiting to be told and countless more that will never be revealed. The Hot Docs Canadian International Documentary Festival‘s “World Showcase” features just a small selection of these tales. There’s no common underlying themes or tone; just a desire to share these narratives with an audience. We look at three films in this category: Diving into the Unknown, The Father, the Son and the Holy Jihad, and Future Baby.

  • Review: ‘It’s So Easy and Other Lies’ is a reserved rock doc (Includes first-hand account)

    The old saying goes, “Sex, drugs and rock n’ roll.” The third part paved the way for the first and made the second nearly inescapable. Although there can certainly be consequences for indulging one’s libido, they often pale in comparison to the effects of drugs and alcohol on every aspect of someone’s existence as they gradually blot out everything unrelated to the addiction. It also becomes a very public problem with countless celebrities making headlines for their habits and many openly discussing their chemical dependencies in hindsight, while others never get the chance. It’s So Easy and Other Lies is Duff McKagan’s tale of survival.

  • Review: Control is a major theme at Hot Docs 2016 (Includes first-hand account)

    In addition to the standard programmes, the Hot Docs Canadian International Documentary Festival always includes a few unique categories that group films with similar themes. This year, “Command + Control” is a collection of documentaries that deal with people and countries who exert control over others, as well as the protagonists and filmmakers who attempt to investigate and provide some command over the situation. We’ve looked at four films from this programme: Credit for Murder, Holy Hell, Tickled and Under the Sun.

  • Review: Oscar-nominated doc ‘Last Days in Vietnam’ offers unique account (Includes first-hand account)

    The Vietnam War presented a unique situation for the United States in that they had technically lost the battle. The Paris Peace Accords proclaimed a ceasefire between North and South Vietnam, ending direct U.S. military involvement and resulting in the majority of American troops going home save for a small military faction and contractors. However when the communists resumed their invasion of southern territories with brutal efficiency after President Richard Nixon’s resignation, the American government was faced with a number of decisions as were the men still assigned to the region. Last Days in Vietnam is a documentary about the days that followed the initial attack.

  • Review: ‘Drunk Stoned Brilliant Dead’ is true to National Lampoon (Includes first-hand account)

    While political and social commentary still exists, the style of no-holds-barred satire that was popular in the ‘60s and ‘70s is more difficult to find — though that doesn’t mean some issues and pundits couldn’t benefit from the treatment. Ranging from R- to X-rated material, nothing and no one was safe from the wit of the artists’ pitiless pen or writers’ remorseless words. The early years of The National Lampoon set a precedent and generated a new genre of raunchy, antagonistic comedy — and Drunk Stoned Brilliant Dead: The Story of The National Lampoon sets out to prove it.