Review: ‘Widows’ is an electrifying narrative grounded in the real world (Includes first-hand account)

Heist movies have been known to come in all shapes and sizes. The amount of the plunder, the number of participants, the complexity of the plan and, more recently, the gender of the thieves are all variables with which storytellers have the freedom to play. There have been a number of similar plots rehashed in different ways over the years, but it’s always notable when something new is brought to a longstanding genre. Widows is that film, finding a unique narrative to share with audiences eager for something new.

Harry (Liam Neeson) has been pulling jobs with the same guys for a long time. But their last heist went terribly wrong and they were all killed. Unfortunately, Harry owed some dangerous people a lot of money and now they expect his wife, Veronica (Viola Davis), to pay his debt. Without any other options, she recruits the other widows so they can pull off their husbands’ last robbery, using the plans she found in Harry’s belongings. These women are not even remotely criminal, but they’ve been backed into a corner and are desperate to escape by any means necessary.

This is a dark drama that shows ordinary, genuine women in an extraordinary situation. They’ve been underestimated their entire lives and they’re finally going to use that to their advantage. With Harry’s detailed plans as their guide, they set out to get the equipment they’ll require, including guns and transportation, and do reconnaissance to limit the potential for surprises and, more importantly, getting caught. Veronica exudes confidence, but inside she’s scared and insecure — feelings she only reveals when she’s alone for fear of losing face in front of the other women or her newfound enemies. Consequently, Davis’ performance is raw, drawing viewers in with her fierce authenticity.

The other women are played by Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo. Each of their situations are unique, but they collectively realize they’ve always relied on their husbands or waited for things to improve themselves. Now, they are taking their fates into their own hands. Each woman is strong and resourceful, gradually gaining confidence as the big day draws near. Rodriguez is a mother whose world was destroyed by her husband’s death. Debicki was a kept woman who never had to do anything and now finds she has nothing. Erivo can barely make ends meet and would do anything to take the pressure off. Each actress is perfectly suited to her role, displaying a respect for each other that slowly supplants their distrust.

Co-writer/director Steve McQueen and co-writer Gillian Flynn create a thrilling picture that offsets its one element of predictability with a compelling narrative that keeps everyone on their toes. Moreover, audiences will find themselves fully invested in the heroines at its centre and hoping for their criminal success.

In or out? Don’t miss Viola Davis, Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo in WIDOWS, in theaters November 16. #WidowsMovie pic.twitter.com/zOC9EDF1F6

— Widows (@WidowsMovie) November 6, 2018

Director: Steve McQueen
Starring: Viola Davis, Michelle Rodriguez and Elizabeth Debicki

Similar Posts

  • Review: ‘Boy Erased’ only has to tell its story to be affecting (Includes first-hand account)

    In spite of certain actions, behaviours and programs proving harmful, it’s been exceptionally difficult to eradicate them. Therefore, it’s become the work of the survivors to educate others about the negative effects and warn them away from these damaging elements. Of course, those who choose not to believe will never be convinced, but that doesn’t mean they shouldn’t try — saving one is better than none at all. Gay conversion therapy is a prime example of a destructive system that is meant more for the people around the person enrolled than the person themselves, yet they continue to operate across the United States. Boy Erased is one man’s experience at such a camp.

  • Babystar review: TIFF 2025

    ‘Babystar’ goes behind the scenes of an influencer family to expose the harsh realities of always having to be camera ready.

  • Review: Can’t take your eyes off ‘Kubo and the Two Strings’ (Includes first-hand account)

    Storytelling has taken many forms over time. While many now rely on movies and TV to deliver their narratives, before that books were key sources of entertainment. But even before the inventions of ink and paper that allowed for any of these tales to be recorded, they were passed on through word-of-mouth. Sharing ancient stories between generations was a favoured pastime and encouraged everyone to use their imaginations. With a touch of magic, Kubo and the Two Strings revives this tradition in Laika‘s latest stop-motion animated film.